The costumes are reminiscent of the 1930s, the automobiles a decade later, the music lapses into modern jazz, and the characters make references to pop culture of the 1970s. Notice the elements that make the film feel very theatrical - it's easy to forget this isn't a stage play. The additional story here adds a tragic depth that is haunting. As in Poe's tale, the chilling effect comes as we realize just how crazy he is. True to Poe's story, he fights desperately to convince us of his sanity while explaining why he killed someone he liked and respected. The modern twist envisions the narrator as a soldier pilot returned from Afghanistan who was captured and tortured brutally after his plane crashed. (Check out 'Lawless Range' - another indie featuring a breathtaking performance.) Bogdonavich is also fine as the 'old man' our protagonist murders in a psychotic rage. He is one of the most underrated actors of his generation, and unfortunately there are only a few films that really show him off. Flueger's performance is the surprise find. Patrick John Flueger gives one of the best reads I have ever heard - this film is worth seeing simply to hear that.

Here, the lead actor narrates the story as is done in Poe's original this narration is mostly straight out of Poe faithfully, with a few lines added to support the modern take on the story. It's one of the most well-known and literarily important stories in American literature. The Tell-Tale Heart, contrary to what the description says for this film, is a short story, not a poem. This one is unique in that it respects Poe's tale, and more importantly the atmosphere he intended, while adding depth to the story. This tale has been filmed many times, some attempts more successful than others.

Edgar allan the tell tale heart